{"id":38,"date":"2019-02-12T13:37:00","date_gmt":"2019-02-12T13:37:00","guid":{"rendered":"https:\/\/bigdoglittlebed.com\/?p=38"},"modified":"2022-04-05T13:46:36","modified_gmt":"2022-04-05T13:46:36","slug":"under-pressure-how-bohemian-rhapsody-epitomizes-hollywood-in-2019","status":"publish","type":"post","link":"https:\/\/bigdoglittlebed.com\/?p=38","title":{"rendered":"Under Pressure: How Bohemian Rhapsody Epitomizes Hollywood in 2019"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.worldatlas.com\/r\/w960-q80\/upload\/bf\/0d\/9f\/shutterstock-87610327.jpg\" alt=\"\" width=\"840\" height=\"558\"\/><\/figure><\/div>\n\n\n\n<p>With the 2019 Academy Awards approaching, I\u2019ve been doing my best to catch up on the nominated movies of the year. I\u2019ve now watched all eight films nominated for Best Picture. It\u2019s a scattered field that provides a good litmus test for the industry at large. We have the first comic book nominee ever (<em>Black Panther<\/em>, deservedly so), the first Netflix nominee (<em>Roma,<\/em> also deserving), a definitive cinematic version of <em>A Star is Born <\/em>(starring Lady GaGa\u2019s nose and Sam Elliott&#8217;s voice), the most nominated Spike Lee movie ever (finally the Academy Did The Right Thing), Christian Bale playing an evil Dick (and somehow becoming more likable as an actor), a race relations film directed by the man who brought us <em>Dumb and Dumber <\/em>(<em>Green Book<\/em>, destined to fade and join <em>Crash<\/em> and <em>Driving Miss Daisy<\/em> as divisive movies about the \u201cblack experience\u201d made by \u201cwhite filmmakers\u201d), and the strangest nominee of the field, the proudly fierce and feminine <em>The Favourite<\/em> (featuring some of the best written female characters of the past decade). Yet despite the many pleasures of this lineup, the film I find myself thinking the most about is the final nominee I haven\u2019t mentioned. Maybe you\u2019ve heard of it. It\u2019s called <em>Bohemian Rhapsody<\/em>.\u00a0<\/p>\n\n\n\n<p>Let\u2019s get this out of the way first. <em>Bohemian Rhapsody<\/em> isn\u2019t a <em>bad<\/em> movie. No film that features a performance on the level of Rami Malek\u2019s as Freddie Mercury can be classified as all out garbage. Malek (like his predecessors in the music biopic genre Joaquin Phoenix as Johnny Cash and Jamie Foxx as Ray Charles) is amazing in the film, completely absorbing himself in the role from bedazzled head to toe. But putting Malek\u2019s performance aside, <em>Bohemian Rhapsody<\/em> isn\u2019t <em>good <\/em>either. It\u2019s shot like a TV movie. It\u2019s factually incorrect. It shys away from the more obscene aspects of Freddie\u2019s life. If you take away Queen\u2019s music (what monster doesn\u2019t like \u201cDon\u2019t Stop Me Now\u201d?) and Malek\u2019s performance, this turns into a <em>bad <\/em>movie really quick. So how the hell did this movie get nominated for Best Picture? For starters, it was a BIG hit. Currently sitting at 817.6 million dollars at the worldwide box office, it\u2019s the 7th highest grossing film of the year, earning more money than tentpole films like <em>Mission Impossible &#8211; Fallout <\/em>and <em>Deadpool 2<\/em>. To put that number in another perspective, that\u2019s over double what <em>Solo &#8211; A Star Wars Story <\/em>made. Think about that! A Freddie Mercury biopic made doubled the money of a Han Solo biopic! That\u2019s a testament to both the lasting impact of Queen\u2019s music and the iconic persona of Mercury. Whether <em>Bohemian Rhapsody <\/em>is actually good or bad doesn\u2019t matter. It\u2019s a success story, the kind we don\u2019t see enough in Hollywood these days. If the story ended here, everything would be fine, it\u2019s not the first time an iconic performance combined with uplifting material has lifted an otherwise subpar movie to a Best Picture nom (I\u2019m looking at you <em>The Blind Side<\/em>). But unfortunately that\u2019s not where the story ends. Not even close. Because <em>Bohemian Rhapsody <\/em>was directed by an accused sexual assaulter named Bryan Singer. &nbsp;<\/p>\n\n\n\n<p>If you haven\u2019t heard the details of Bryan Singer\u2019s sordid past, I\u2019ll leave that to your own personal Google browser (start with an article in The Atlantic called <a href=\"https:\/\/www.theatlantic.com\/magazine\/archive\/2019\/03\/bryan-singers-accusers-speak-out\/580462\/?utm_source=twb\">\u201cNobody Is Going To Believe You\u201d).<\/a> What I will say is that the evidence presented clearly outlines Mr. Singer as a longtime sexual predator of underage men. And yet even with this evidence and the fact that Singer was fired off the film with three weeks left of principal photography, he still received sole directing credit. In fact, it was recently reported that with the movie\u2019s success, Singer stands to earn nearly 40 million dollars for directing the film (with his mounting legal fees he\u2019s gonna need it). If this bothers you (like it does me) you\u2019re not alone. The backlash to the film has been swift and vicious. GLAAD who originally praised the film upon its release, recently failed to nominate it for a single award (not even Rami Malek) at the GLAAD Media Awards. They released a statement saying \u201c&#8230;the legacy of Freddy Mercury deserves so much more than to be tainted in this way.\u201d Critics who originally derided the film for not embracing Mercury\u2019s sexuality (RogerEbert.com described the film as \u201cphobic\u201d) are now piling on, all decrying the film as a disgrace to both Queen, Mercury, &nbsp;and the film industry as a whole. To put it in a way that Queen fans can understand, Another One Bites The Dust. Except Bryan Singer\u2019s not going anywhere. At least not yet. He recently signed on to direct <em>Red Sonja<\/em>, a comic book adaptation about a female warrior with a backstory of brutal sexual assault. He\u2019s reportedly being paid 10 million dollars. When will the hammer fall?&nbsp;<\/p>\n\n\n\n<p>This unfortunately is representative of the times we are living in. Even in the era of MeToo and Times Up, there are still monsters living in broad daylight. People can write exposes and scathing reviews, but the man is still getting work. But, think about it, of course he is, his most recent film just made more money than Star Wars. This is the paradox of the movie industry in 2019. On the eve of their biggest night of the year, Hollywood is consumed with talking about <em>Bohemian Rhapsody<\/em>: a film about a Gay Icon, that\u2019s been disavowed by Gay organizations, that\u2019s made more money than Han Solo, that\u2019s directed by an accused rapist still working in the industry, that\u2019s nominated for Best Picture. Read that sentence over a couple times. Welcome to Hollywood in 2019.&nbsp;<\/p>\n\n\n\n<p><strong>Oscar Predictions<\/strong><\/p>\n\n\n\n<p>Best Picture: BlacKKKlansman&nbsp;<\/p>\n\n\n\n<p>Actor: Rami Malek&nbsp;<\/p>\n\n\n\n<p>Actress: Glenn Close<\/p>\n\n\n\n<p>Best Supporting Actor: Sam Elliott<\/p>\n\n\n\n<p>Supporting Actress: Regina Hall&nbsp;<\/p>\n\n\n\n<p>Director: Alfonso Cuaron&nbsp;<\/p>\n\n\n\n<p>Original Screenplay: The Favourite<\/p>\n\n\n\n<p>Adapted Screenplay: BlacKKKlansman&nbsp;<\/p>\n\n\n\n<p>Cinematography: Roma<\/p>\n\n\n\n<p>Editing: Vice<\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-center\" style=\"grid-template-columns:15% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"225\" height=\"300\" src=\"https:\/\/bigdoglittlebed.com\/wp-content\/uploads\/2022\/04\/RadianPhotography_BDLB_August-70-225x300.jpg\" alt=\"\" class=\"wp-image-12 size-medium\" srcset=\"https:\/\/bigdoglittlebed.com\/wp-content\/uploads\/2022\/04\/RadianPhotography_BDLB_August-70-225x300.jpg 225w, https:\/\/bigdoglittlebed.com\/wp-content\/uploads\/2022\/04\/RadianPhotography_BDLB_August-70-768x1024.jpg 768w, https:\/\/bigdoglittlebed.com\/wp-content\/uploads\/2022\/04\/RadianPhotography_BDLB_August-70-1152x1536.jpg 1152w, https:\/\/bigdoglittlebed.com\/wp-content\/uploads\/2022\/04\/RadianPhotography_BDLB_August-70.jpg 1200w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-small-font-size\">written by:<\/p>\n\n\n\n<p class=\"has-medium-font-size\">Janice Smith<\/p>\n\n\n\n<p class=\"has-small-font-size\">Owner, Storyteller, &amp; Chief Dog Lover<\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>With the 2019 Academy Awards approaching, I\u2019ve been doing my best to catch up on the nominated movies of the year. I\u2019ve now watched all eight films nominated for Best Picture. It\u2019s a scattered field that provides a good litmus test for the industry at large. We have the first comic book nominee ever (Black [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":40,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-38","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-storytelling"],"featured_image_src":"https:\/\/bigdoglittlebed.com\/wp-content\/uploads\/2019\/02\/shutterstock-87610327-600x400.webp","featured_image_src_square":"https:\/\/bigdoglittlebed.com\/wp-content\/uploads\/2019\/02\/shutterstock-87610327-600x600.webp","author_info":{"display_name":"Janice Smith","author_link":"https:\/\/bigdoglittlebed.com\/?author=3"},"_links":{"self":[{"href":"https:\/\/bigdoglittlebed.com\/index.php?rest_route=\/wp\/v2\/posts\/38","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bigdoglittlebed.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bigdoglittlebed.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bigdoglittlebed.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/bigdoglittlebed.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=38"}],"version-history":[{"count":0,"href":"https:\/\/bigdoglittlebed.com\/index.php?rest_route=\/wp\/v2\/posts\/38\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bigdoglittlebed.com\/index.php?rest_route=\/wp\/v2\/media\/40"}],"wp:attachment":[{"href":"https:\/\/bigdoglittlebed.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=38"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bigdoglittlebed.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=38"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bigdoglittlebed.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=38"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}